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Bard Billot on the primary assembly of the Baron, the Toad and the Vamp
Three’s Firm
Baron Luxon,
King In Ready,
Former Air Marshal of the Nationwide Scorching Air Balloon Fleet,
Moisturiser in Chief to the Gangs of the Realm,
Shines his cuff hyperlinks,
Slaps on some brisk aftershave,
And checks his toupee.
His swimsuit is impeccable.
His blue suede sneakers minimize a touch.
Nothing has been left to probability.
The Baron rattles throughout city
In his peasant subsidised Tesla jalopy,
Fastidiously avoiding the large potholes
And battalions of highway cones.
He’s armed with a bottle of champagne
And a dozen velvety crimson roses
He arrives at his vacation spot.
He sweeps up the entrance path.
He rings the bell confidently.
He doesn’t really feel assured.
The second of fact!
The door slowly swings open.
There, in a slinky black robe,
Cigarette in lengthy holder,
Stands Winnie the Vamp,
Femme Fatale, Siren, Enchantress,
Coronary heart breaker of a thousand coalitions.
The nervous suitor standing on the doorstep
Is granted an appraising look.
However Winnie’s roving eye stops on a magenta toad,
With a rose held between its flubbery lips,
Perched on the Baron’s proper shoulder.
“What’s with the gooseberry?” snaps Winnie.
“Dave’s the identify,” replies the beady eyed amphibian,
with an impertinent nod in direction of the mute Baron.
“And I do the speaking for each of us.”
Victor Billot has beforehand felt moved to put in writing Odes for such luminaries as David Seymour, Nicola Willis, Chris Hipkins and Mike Hosking.
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