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She was thus “an attention-grabbing bridge” between Ms. Anderson and the newer technology of Black opera singers, mentioned Ms. André, who has written about Black opera singers, and who famous that Ms. Tynes, her neglect however, had an “unbelievable” voice. Ms. André prompt that Ms. Tynes’s success in Europe was an affidavit to her singular expertise.
Her one main recital on disk, a blistering assortment of arias by Verdi and Richard Strauss, was launched by the Qualiton label in Hungary in 1962. In a 2021 episode of the podcast “Counter Melody,” that was dedicated to her, the American singer Daniel Gundlach famous that Ms. Tynes reached the sulfurous excessive C of the Aida aria “O Patria Mia” with ease. A recording of Pergolesi’s “Stabat Mater” earned a good evaluate in 1972 in Gramophone journal, the place she was praised for her “creamy-voiced soprano” although the publication mentioned she “sounds uneasy within the excessive notes” and “just isn’t all the time actual in pitch.”
However her main recordings, although hardly extensively identified, have earned unstinted reward from connoisseurs. In an e mail, Peter Clark, the previous archivist on the Metropolitan Opera, referred to as them “spectacular singing by any normal. Her expressivity and dramatic involvement is thrilling to listen to.”
Within the Sixties and ’70s, she sang for seven seasons with the State Opera in Vienna, for eight seasons with opera firms in Prague and Budapest, and in Barcelona for an additional 4, in response to Mr. Roberts and the singer Kevin Thompson, a good friend of Ms. Tynes’s. “As soon as she was invited to carry out in Europe, her ability and recognition grew,” Mr. Roberts mentioned.
She sang in “Norma,” “Tosca” and “Carmen” and performed Girl Macbeth in Verdi, in addition to Leonora in “La Forza del Destino,” amongst different roles. In Hungary and Czechoslovakia, she was all the time “greeted fairly warmly,” Mr. Roberts recalled. The Budapest weekly Movie Szinhaz Muzsika (Movie Theater Music) commented about her Aida performances, saying, “She is a uncommon, singular phenomenon on the operatic stage.”
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